Tuesday, May 23, 2017 6:00 to 8:00 pm Crescent City Books 124 Baronne Street.
For the inaugural event, we are excited to present a program with the letters of Lafcadio Hearn. The evening will feature sociologist Dr. Adrienne McFaul providing some context for the letters, with readings from Ashton Akridge and Big Easy Award winner Richard Mayer.
Hearn wrote of New Orleans:
“There are few who can visit her for the first time without delight; and few who can ever leave her without regret; and none who can forget her strange charm when they have once felt its influence. To a native of the bleaker Northern clime—if he have any poetical sense of the beautiful in nature, any love of bright verdure and luxuriance of landscape—the approach to the city by river, must be in itself something indescribably pleasant. The white steamer gliding through an unfamiliar world of blue and green . . . the waving cane; the evergreen fringe of groves weird with moss . . . as though one were sailing to some far-off glimmering Eden.”
The letters also provide an unedited glimpse into Hearn’s world, which contains language and thoughts that may offend. A special thanks to Loyola University New Orleans Special Collections & Archives, for providing letters from their Lafcadio Hearn Correspondence Collection, and to Michael Zell for hosting the event at Crescent City Books.
Wednesday, May 17 at 6:30 – 9 pm Antenna::Signals No. 5
Loss & Found at A Studio In The Woods
13401 Patterson Road
$10 (Free for Signals Subscribers)
As part of this Signals event, Letters Read will be introduced with a reading of one of the Lafcadio Hearn letters. Also presented will be a letter from A Studio In The Woodsfounder Lucianne Carmichael to sculptor Lin Emery.
Letters Read is an ongoing series in which local performers interpret letters and written documents about culturally vital individuals from various times and Louisiana communities. Now in its seventh consecutive season. Performances are free and open to the general public. Listen to podcasts and recordings of past events HERE.
New York/New Orleans
DRUGS, SEX, ROCK & ROLL
A year of magic and wonder.
Listen later this year to an oft-experienced story of the Big Easy luring an innocent, out-of-towner, to the dark side of this infamously lurid city.
Counter-intuitively, this potentially tragic tale resolves itself into a beautiful, tie-dye butterfly. Where a Tulane undergraduate magically emerges going on to a fulfilling queer life and hugely successful, big city, New York City career.
Robert Moses and New Orleans’s Riverfront Expressway.
Continuing our New York/New Orleans journey, we bring you the only project Robert Moses ever did in the Crescent City. With his usual team of engineers and urbanists, he directed a report with suggestions to solve traffic congestion in the Big Easy. Locally, this project—or part of it—is referred to as the Riverfront Expressway.
Robert Moses, the greatest builder New York has ever known, is so often credited with it that it is almost funny that it did not even happen. As frequently as he is credited with the project that never was, he is also incorrectlyblamed for the Claiborne Expressway. That, horrendously, did.
This podcast is part of the ongoing script development for a fully realized live performance later this year about Moses, his portion of the report, and the historic outcomes.
The reading is based on primary source research in The Robert Moses Collection at the New York Public Library and Moses’ 1946 “Arterial Plan of New Orleans” commissioned by the state of Louisiana. Additional information comes from newspaper articles, past and current, hearsay, Facebook, Robert Caro’s The Power Broker, Richard Baumbach and William Borah’s The Second Battle of New Orleans, and Hilary Ballon’s Robert Moses and the Modern City.
For information on the current fight to remove the Claiborne Overpass and links to other resources used for this production, go to HERE.
Free and open to the public and covered by Stefanie Russell on Historia. This is the first live event since October 26, 2019. An informal reading excerpted from the full Robert Moses script being produced for the live event later this year. Here is what it’s all about:
Robert Moses, New York City, and the state’s greatest builder. Respected and reviled. In 1945, Moses was contracted by the state of Louisiana to evaluate, and recommend, remedies for common, mid-20th-century problems such as traffic congestion.
While many of his plan’s ideas were implemented over time, the Riverfront Expressway never materialized.
Amidst the post-World War II automobile-based transportation frenzy, the 1946 “Arterial Plan for New Orleans” was published. Commissioned by Louisiana state’s Department of Highways and directed by New York master planner Robert Moses. This report outlined the modernization of all Crescent City transportation. In addition to advocating for the high-speed movement of automobiles through a historically rich urban center–the French Quarter—the report planned for new, more efficient railways, airports, shipping canals, and yes, monumental parking garages.
At its heart was an elevated, riverfront expressway. Later known as the Riverfront Expressway. It would separate the historic Vieux Carré and the Pontalba Plaza from the Mississippi riverfront entirely. Literally throwing the historic residential neighborhood, a significant tourist destination, into the shadows.
This is a work-in-progress rehearsal of the script being developed for the live production later this year.
The subject is Robert Moses. Born 1888. Deceased 1981.
Visionary urban planner. Who changed the mid-twentieth century built environment of New York City and New York State in a manner still seen and experienced today. The municipal projects he brought to fruition were massive in scale. Damns. Bridges. Parkways, toll roads, and highways. Superhighways.
Moses envisioned a spectacular web of high-speed roads moving hundreds of thousands of cars carrying freight and people. Since the 1920s, other city planners had dreamed of this. No one. No one could figure out how. Robert Moses did.
March 20, INCUBATOR X.
Introducing the 2023 Season, Director’s Note.
The 10th Incubator short. Another experimental-style podcast by stationer, Nancy Sharon Collins, the project director. It is the first to be recorded in The Big Apple. In a pre-war, studio apartment ’round the corner from the monumental, Ed Koch Queensboro Bridge. This reading will introduce the 2023 theme, New York / New Orleans. Total listening time: under 6 minutes and 3 seconds. Click HERE to listen.
2022 Season: Lady Louisiana Artists.
New Year’s Eve: Lemons to Lemonade.
Finishing up the Lady Louisiana Artist series for 2022 is Magen Raine Gladden. Commercial artist. Born into a hippy dirt road collective along River Road in South Louisiana with a lifetime of health challenges. Now a leader through the lens of workplace equity and inclusivity rights. This podcast goes live on New Year’s Eve. Click HERE to listen.
Geoff Munsterman narrates. Shadow Angelina Starkey reads as Gladden. Munstermanam is a poet, editor, and book artist from Plaquemines Parish now living in New Orleans’ Holy Cross neighborhood. Starkey is a Cajun poet and photographer whose family has called New Orleans home since 1727.
Join Letters Read New Year’s eve to listen and support this amazing project by clicking HERE.
Thanksgiving, Incubator IX.
Letters from the Street.
The 9th Incubator short. Another experimental-style subject. This one presented in 7 minutes and 12 seconds presenting missives literally sourced from New Orleans’s streets. Missives of all kinds. Notices, notes-to-self, lists, recipes, and formulas. Why, even poetry. To listen, click HERE.
Our second lady Louisiana artist, Angela Gregory, is a true Louisiana hero of women in the arts in the 20th century. Busting traditional boundaries and forging her own way. She was born in New Orleans in 1903. Became a successful sculptor garnering public and private commissions at a time when equal rights for women were only beginning.
This program owes a tremendous shout-out to Nancy Penrose, co-author of Gregory’s biography, A Dream and a Chisel. Thanks again to Michel Varisco, the subject of our last podcast.
Gregory’s mother was a stay-at-home mom and her father was a well-respected Tulane professor. In 1925, she convinced her parents to send her to Paris to learn how to become an artist. A highly unusual move for a young woman to do alone. It is to be remembered that women, white women, in this country had only gained the right to vote five years previously.
In Paris, she became the only American ever to study under Antoine Bourdelle and work in his stone cutting studio. Later, Gregory credited her very unusual success as a lady artist to Bourdelle’s tutelage and help.
Her earliest influence was her mother, Selina Elizabeth Bres Gregory. Who had graduated from Newcomb College. Which was then Tulane University’s women’s college. Where she had the good fortune to study with artist brothers Ellsworth and William Woodward not long after they joined the faculty. The work of both Gregory women, the Woodwards, Newcomb Pottery, and Bourdelle, are prized as valuable pieces of art today.
Our first lady Louisiana subject is letters and missives to and from eco-feminist artist, and Letters Read Executive Advisory Board member, Michel Varisco.
Varisco’s photography, assemblages, and installations bear witness to our relationship with nature as observed in architecture, engineered, and the wild.
The artist writes further about the above image, “Sr. Alison McCrary, the radical nun and lawyer is holding a dead yellow warbler. She had told me she was mourning the slow death of the Catholic Church, while I mourn the disconnect of religion for the environment and the future of all sentient beings.” —2019 King Tides exhibit, Good Children Gallery, New Orleans, LA.
In addition to letters from Varisco’s wide family of friends, cohorts, fellow artists and collaborators, this podcast includes edits from the email exchange between Letters Read Director and lady Louisiana artist, Jacqueline Bishop. Bishop contributed in an advisory manner for this production. Her work reflects on complex connections between climate change, species extinction, and migration.
On March 1, 1967, New Orleans District Attorney Jim Garrison arrested him on conspiracy charges. Shaw was a beloved, successful, local businessman, and closeted queer man.
On January 29, 1969, Garrison tried Shaw in Orleans Parish Criminal Court on three conspiracy charges. A little over a month later the jury took less than one hour to acquit Shaw.
After, “…jurors expressed their bewilderment as to motive. Respectable socialite Clay Shaw, it strained credulity as to why he would become involved in the murder of the President. Jim Garrison believed that Shaw was acting as Oswald’s shepherd in New Orleans, under instructions from CIA. But he couldn’t prove it, certainly not beyond a reasonable doubt.” —Joan Mellen.
Many theories swirl around these, now infamous, Big Easy characters. Both Shaw and Garrison. This reading strives to represent the man who was Clay Shaw and, to a lesser extend, who was Garrison.
Robert Valley reads as the voice of Shaw, David Zalkind is Jim Garrison. Audio production is by Steve Chyzyk, Sonic Canvas Studio.
PHOTO: 1956. Clay Shaw dressed for Mardi Gras. From an original 35mm slide in a boxed tray labelled, “Carnival, 2/14/56. Sally Del Sue Ray”. Property and copyright of Letters Read.